The Proposed Second Season of Battlestar Galactica
Fans have wondered if Battlestar Galactica
had gone on to a second season after the last broadcast episode, "The
Hand of God”, what would it have been like? Well here, at The Cylon
Alliance, we're going to tell you! So read on if you dare!
Producer Glen Larson, near the end of the one and only season of
Battlestar Galactica, had reviewed the series so far and had come up
with a number of adjustments to the fledgling series. Chief amongst
these was the enlistment of noted science fiction writer Isaac Asimov as
a creative consultant. With Asimov waiting in the wings and his second
season proposals documented, Larson was preparing to fly to Universal’s
head office in New York when the word came down from on high that the
series was cancelled.
The document
So what was in the document? Are the document and its contents that have
recently surfaced on the net legit?
Yes it is. As I type this now I’m looking at it next to my screen, its
blue cover proclaiming; “Battlestar Galactica year two confidential”
with the initials “GAL” written in black marker upon its surface.
How did I get this document? Well, I bought it on Ebay. How do I know
it’s genuine? Well, the seller was Glen Larson’s son Chris. So I think
that proves once and for all the validity of the document.
On opening the document, one finds spiel on what year two of Battlestar
will bring and a look back on the challenges of the first season,
descriptions of the characters featured in what would have been the
second season, story summaries, a breakdown of the show’s broadcast
history (what was shown against it by NBC and CBS), and finally a
photocopied article from Time on Isaac Asimov. The document is also
illustrated with colour photocopies of various bits of SF artwork.
Anyone reading the document might think it’s buried treasure, but that
thought is soon overturned as you make your way through its contents.
Any fan reading it would soon be thanking the Lords that the show ended
when it did!
What could Larson have been thinking?
In an analysis of the first year, Larson notes that the show was
pre-empted eight times by the network and sometimes moved to a 10
o’clock spot, out of range of the some of the show’s core audience, and
assaulted by a barrage of programming from the rival networks in an
attempt to dislodge the show from the ratings high of its premiere.
It is also noted that the series is almost void of female viewers and
that in the second year steps must be taken to address this deficiency.
Also, story focus would have been shifted, instead of events motivating
the main characters as in the first year, it would have been the other
way round in season two. In other words there would be more people
stories.
The document then goes on to sing the praises of Isaac Asimov, who
unbelievably had said yes being the show’s creative consultant, who
would “help mould and guide concepts” and write stories as well as
critique stories and scripts.
After the initial self-promotion felgercarb, the document then goes onto
describe in more detail the year two changes.
There would have been more focus on the female character and the core
cast was to be reduced in number. Gone, or “missing in action” were
Colonel Tigh, Sheba, Boxey “reduced to an occasional guest appearance if
required”, doctors Salik and Wilker, Muffey and finally Baltar!
The remaining characters are then described in detail.
Apollo seems to go through a complete character reversal with Starbuck
as it is described in the document. On the death of Sheba, in the
opening episode of the proposed season two (a two-hour special), Apollo
lets go of all his responsibilities and “for the first time in his life,
begins to live life for himself – not selfishly, but with a zest that
even has the fun-loving Starbuck envious”.
With Apollo gone from his leadership position, Adama chooses Starbuck
for command. Feeling the weight of his new position, Starbuck ends his
relationship with Cassiopea while leaning on his Apollo for advice. It
is noted that; despite his added responsibilities, Starbuck finds time
to develop a Butch Cassidy and Sundance Kid relationship with Apollo”,
this element giving the viewers stories with more lightness.
The character of Adama is more or less the same; he is disappointed with
Apollo’s decision to relinquish command and relies more on Athena and
Boomer to relieve some of the weight of his position so that he has more
time to attend the needs of the people of the rag tag fleet.
Athena is markedly different from the character as portrayed in season
one. She would have been very badly wounded in the attack that kills
Sheba in the opening episode. Badly disfigured, Athena’s beauty would
have been restored via surgery, leading to a “different, but equally
exquisite beauty”. Though her face is restored however, her body is
scarred beyond repair; because of these physical and emotional wounds
Athena would have become more aggressive also replacing Apollo in her
father’s eyes as heir apparent to the command of the Galactica.
With the elimination of Doctor Salik from the series, Cassiopea becomes
the ship’s chief medical officer while Boomer substitutes for the
missing Wilker, a “combination Einstein-Edison talent” emerging in the
lieutenant. Boomer would become “a fixture on the bridge and in the
lab”.
Along with the remaining characters, a new one was to added, Troy,
Adama’s cabin boy, a character brought in to appeal to teenage girls,
Troy would be in “a position from which he learns of every crisis and
proceed to involve himself often”. He would be “cute, mischievous, well
intentioned, a pain in the ass for Starbuck and Apollo”.
After the character descriptions the document goes on to describe six
story proposals for year two.
Return of the Pegasus
Boomer detects wave after wave of Cylon ships heading for the fleet,
badly outnumbered in a battle that sees Sheba’s Viper hit and careen
through space in flames, the day is saved by Vipers from the returning
battlestar Pegasus.
In the battle, the Galactica’s bridge takes a hit and Athena is engulfed
in flames, flames put out with Adama’s bare hands. Cassiopea informs
Adama that Athena will need intensive plastic surgery to restore her
damaged body.
The two battlestars’ crews reunite, but Apollo, who has given up his
command after the loss of Sheba, notes that Cain’s manner is somewhat
changed from their previous encounter.
Renata, Cain’s executive officer, and one of the loveliest women he and
Starbuck have ever seen soon dispels Apollo’s doubts as he begins to
fall in love with her.
An inquisitive Starbuck, who is losing the competition that has sprung
up between himself and Apollo for Renata’s affection; begins to find
more faults with Cain and his ship. Wandering into the bowels of the
ship, Starbuck discovers the secret of the Pegasus, her crew are being
replaced by a new species of Cylon androids, and an android replica has
replaced Cain himself, what is more, Renata is the head Cylon who will
destroy the fleet in an attack from within.
Warning Apollo just in time, Starbuck and he tackle the murderous
android, casting her into space as a battle breaks out between the
Galactica and the Pegasus which is now commanded by a machine with the
subverted intelligence of a living legend!
A Woman’s Power
Athena, now restored in beauty, finds herself embroiled in a plot with
the fleets’ women to turn their backs on the military life and all it
encompasses. At a meeting on the Galactica, the women decide they will
withhold their favours and dispense with their fleet and domestic duties
until peace is achieved.
Adama storms into the meeting and tells the women everyone has their
part to play in their mission and they should desist from their present
course of action or face military discipline. The women refuse and the
ringleaders are thrown into the brig.
One of the women manages to escape from the brig, and strapping a bomb
to her body, makes her way to the bridge and demands the release of the
prisoners and ships and stores and a guarantee of safe conduct away from
the fleet or she will detonate the bomb.
As the countdown to detonation continues, Adama, Starbuck and Apollo are
at a loss for a solution, until Apollo asks Athena to intervene. Athena
realising her support of the women was based in part on her own
bitterness towards her situation, she manages to talk the woman out of
her course of action and persuades Adama to give the women of the fleet
more say into the day to day decisions that affect the lives of the
fleet.
Island in the Sky
After their Vipers are pulled towards a tiny barren planet, Starbuck and
Apollo find themselves on a world with a gravitational pull far stronger
than any they have experienced. Collapsing in the sand, death is only
moments away until a group of beautiful young women and handsome men
appear with a protective aura around them that counteracts the effects
of the gravity field.
The two warriors wake up to find their selves in a scenic valley, and no
longer affected by the oppressive gravity. In a small village dominated
by an alabaster palace, the pair is presented to Prince and Princess
Ling, who both appear to be about 19.
Apollo finds himself smitten with the princess, and in the days that
follow falls deeper and deeper in love with her.
Starbuck becomes bored with paradise and starts making some enquiries.
He finds out that the planet’s inhabitants are exiles from Earth, and
that the Lings know the coordinates to the fabled planet.
Telling Apollo what he has learned, Starbuck decides the time has come
to escape from paradise. Apollo agrees but wants to take Princess Ling
with him, she then informs the love-struck warrior that she is in
reality over a thousand years old and would die if she ever left.
Finding it hard to believe, Starbuck thinks it is just a trick to keep
them there, especially when the prince orders them to be imprisoned on
learning of their escape plans.
The princess throws her lot in with the warriors, aiding their flight
from the planet, but as they clear its atmosphere she grows weaker and
older, until she dies as predicted, as a woman a millennium old!
The Bad and the Brave
In an all out battle between the Galactica and a baseship, both end up
limping away to lick their wounds.
The fleet’s orphan ship also finds itself a casualty of the battle,
crashing on a tropical planet.
Locating the ship, Adama is horrified to learn that the baseship is also
on the planet, the Cylons working steadily to affect repairs and get
back into space to finish the Galactica off.
Starbuck and three other warriors make their way to the planet equipped
with new turboscooters, a kind of rocket-propelled motorcycle with
armament capable of making hit and run attacks on the baseship whenever
its crew attempt to make repairs.
As the orphan ship’s repairs near completion, Starbuck insists on
carrying on the sorties against the Cylons. Athena, who is also on the
mission, accuses the warrior of grandstand heroics that may jeopardise
the lives of the stranded children.
Starbuck cannot back down however, as he realises if the basestar
manages to take off, it will soon overtake the Galactica, which is
herself attempting to repair her engines.
A Plague in Space
When Boomer brings a crewmember into the lifestation, Cassiopea is
puzzled by the man’s symptoms. Doing some research, she finds that the
man has a cholera-like disease that originated on the planet Kobol.
The following morning, another crewman is found dead in his bed, the
victim of the same disease. Cassiopea decides she must test everyone on
the Galactica for traces of the strange malady, but when Athena develops
the symptoms, Adam brings in Boomer to find an explanation for the
rapidly spreading affliction.
Boomer finds out that they can treat the disease, there is enough
medication onboard, but there must be a carrier on the ship. Upon
further investigation Boomer finds the carrier is Cassiopea herself!
A Queen’s Ransom
Apollo and Starbuck are assigned to investigate the planet Sirenus, a
source of solenium, a crystal that is critical to the operation of the
Galactica’s navigational systems.
Landing on the planet with a mining party made up of 20 restless men,
the two heroes find a thriving civilisation but with the gender role
structure entirely reversed, women rule the planet while the men are
just subservient drones.
The men of the Galactica’s mining party, who have been cooped up for
ages in the confines of the fleet, are eager to raise hell, and in doing
so enrage the planet’s females and incite independent behaviour in the
oppressed males, the men now demanding equal rights and gearing up for a
revolt.
The Galacticans are ordered off the planet without the vital solenium,
but Sirenus’ lovely leader, Areola (!) will relent if Starbuck will stay
behind to become on of her concubines!
Comments
After the episode sypnoses, there follows a seven page run down of the
airdates of the original series, listing what was I competition with it
on the other two networks at the time.
The document is topped off with a photocopied Asimov article from Time
magazine.
So what to make of all this?
Getting Asimov onboard was a bit of a coup for Larson, Asimov having
previously railed against the show on its debut, but you can’t help but
think what did he make of the stories documented here, and did Larson
ever show him the story outlines?
What effect the presence of Asimov on the series is pure speculation,
but it is worth bearing in mind that Asimov lived in New York and was
afraid of flying, things that surely would have hampered any
contribution he’d have made to the series.
The document’s assertion that the show was not popular with women and
teenage girls is somewhat bewildering, when one considers that Hatch and
Benedict were plastered in every teen magazine and such like for months,
also the decision to strengthen the parts of the women characters and
then dispatch one of the series’ strongest female characters in Lt.
Sheba in what would have been the opening episode smack of someone
really losing the plot!
The pairing down of the cast seems to be some sort of cost-cutting
exercise. The promotion of Cassiopea from medtech to doctor is a leap
that is hard to make, while Boomer’s ascension to genius status is
laughable in the extreme.
The new character Troy, sounds even more annoying than the Star Trek:
The Next Generation character Wesley Crusher, he also fills that teen
idol role that would later be cornered by the Lucas character on
seaQuest.
The role of Athena, Larson obviously wanted to recast, thus her
horrifying ordeal in the two-hour opener of what would have been season
two. With hindsight it is easy to reassess Maren Jensen’s performance in
the original series, her best scenes ending up on the cutting room
floor, her character in the end was ill served by the writing department
more than her lack of skill. It is worth wondering whom Larson had in
mind to replace her with?
By far the biggest disservice is given to that of the character of
Apollo. His transformation from responsible leader, son and father into
space stud is so left of centre, that you wonder what the author of the
document was on when he came up with that one!
On the whole, I think the whole premise of Battlestar Galactica’s
proposed season two stinks to high heaven, it smacking of the re-tooled
Buck Rogers in the 25th Century’s second year, and we all know how that
one went!
- written by Peter
Noble
Donated by : www.cylon.org
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